Our nudity is the most fictional ever `cause it always masks itself
Listen
>>Lyhre at FluxFM Radar – talking about composing and performing at major theaters, contributing to Netflix soundtracks, and exploring posthuman feminism
>>>Lyhre “Eine echte Entdeckung”- Reeperbahn Festival , Hamburger Abendblatt
>>> Lyhre LIVE at Reeperbahn Festival presented by BMC Berlin Music Commission
>>> Lyhre is selected by LISTEN TO BERLIN 2025/2026
>>> Lyhre joins the Ircam Academy in Paris 2025
>>>Lyhre joins officially ÄTNAs Lucky Dancer Tour 2025 as Support Act
>>> Lyhre composed, sound-designed and produced the sound for the multimedia experience burnbabyburn directed by Katja Gaudard premiered at Oldenburgisches Staatsschauspiel
>>>Lyhres gets lauded for her live performance and composition by Nachtkritik, Frankfurter Rundschau, Theater der Zeit and more
>>>Lyhre composed, sound-designed, produced and performs live the Soundtrack for The Oresteia directed by Thomas Krupa
>>>Lyhre openes live for Isabel LaRosa
>>>Lyhre is the musical director and live musican for Neometropolis at Stadttheater Giessen
>>>Lyhres latest music is selected by Cannes Soundtrack as “tracks with the best synchronization potential” 2023, 2024
>>>Lyhre opens the international student film festival Sehsüchte , Filmuniversität Babelsberg KONRAD WOLF
>>>Lyhres music is part of the international Netflix Serie Élite
>>>Lyhre composed and produced the soundtrack to Watership Down at Staatsschauspiel Dresden.
>>>Lyhre charted #11 on the Itunes Electronic Charts Austria
>>>Lyhres music is supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.
>>>The transdisciplinary project Schatten des Verhängnisses received a project-based scholarship& is part of republica 22, europe’s largest digital society festival.
Our nudity is the most fictional ever `cause it always masks itself
Say Hi
>>>Lyhre announces upcoming EP “The D(e)ad Concept” and first headline Tour → Tickets
>>>Lyhre LIVE at Berghain Kantine
>>>Lyhre opens the Listen to Berlin Awards 2025
>>>Lyhre at FluxFM Radar – talking about composing and performing at major theaters, contributing to Netflix soundtracks, and exploring posthuman feminism
>>>Lyhre “Eine echte Entdeckung”- Reeperbahn Festival , Hamburger Abendblatt
>>> Lyhre LIVE at Reeperbahn Festival presented by BMC Berlin Music Commission
>>> Lyhre is selected by LISTEN TO BERLIN 2025/2026
>>> Lyhre joins the Ircam Academy in Paris 2025
>>>Lyhre joins officially ÄTNAs Lucky Dancer Tour 2025 as Support Act
>>> Lyhre composed, sound-designed and produced the sound for the multimedia experience burnbabyburn directed by Katja Gaudard premiered at Oldenburgisches Staatstheater
>>>Lyhres gets lauded for her live performance and composition by Nachtkritik, Frankfurter Rundschau, Theater der Zeit and more
>>>Lyhre composed, sound-designed, produced and performs live the Soundtrack for Die Orestie directed by Thomas Krupa
>>>Lyhre openes live for Isabel LaRosa
>>>Lyhre is the musical director and live musican for Neometropolis at Stadttheater Giessen
>>>Lyhres latest music is selected by Cannes Soundtrack as “tracks with the best synchronization potential” 2023, 2024
>>>Lyhre opens the international student film festival Sehsüchte , Filmuniversität Babelsberg KONRAD WOLF
>>>Lyhres music is part of the international Netflix Serie Élite
>>>Lyhre composed and produced the soundtrack to Watership Down at Staatsschauspiel Dresden.
>>>Lyhre charted #11 on the Itunes Electronic Charts Austria
>>>Lyhres music is supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.
>>>The transdisciplinary project Schatten des Verhängnisses received a project-based scholarship& is part of republica 22, europe’s largest digital society festival.
Lyhre is a Berlin-based multi-instrumentalist singer-songwriter, producer and composer
debuted in Netflix’s Series Élite and with Cannes recognition for her work. She opens for Isabel LaRosa and gets praised by critics for her live performance and musical direction from Nachtkritik, Frankfurter Rundschau, Theater der Zeit, Die Deutsche Bühne and international Tastemakers like Metal Magazine among others.
From posthuman feminism to hard-hitting, genre-bending dark pop: Lyhre melds her husky voice, while pounding the keys of the piano, with alternative, electronic, and classical influences—lauded by Earmilk as “pushing boundaries and evolving into a new era” for all so-constructed misfits.
2025 Lyhre officially opens ÄTNAs Lucky Dancer Tour and joins IRCAM, Institute for Research and Coordination in Acoustics/Music in Paris.
As classically trained (pianist and vocalist), her multidisciplinary work spans multimedia, theater, and research. Her artistic-technical practice focuses on classical compositional practices, new forms of sound synthesis, performance and writing at the intersection of technology, posthumanism and posthuman feminism within a pop cultural setting.
Lyhre worked as musical director, researcher and composer for major theaters like Deutsches Theater Berlin, Volksbühne Berlin, Staatsschauspiel Dresden, Oldenburgisches Staatstheater, Stadttheater Gießen and Hochschule für Musik Theater und Medien Hannover, Mozarteum Salzburg, Zürcher Hochschule der Künste and started 2022 collaborating with established Sync and Licensing Agents from LA, London and Barcelona.
Her work “rethinking humanity” got founded by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.
Alongside Katja Gaudard she forms the transdisciplinary “crtcl collective”. They received 2022 a project-based scholarship for their work on Judith Butler’s “The Force of Nonviolence” premiered at Volksbühne Berlin and became part of re:publica, europe’s digital society festival and created the multimedia experience “burnbabyburn” premiered 2024 at Oldenburgisches Staatstheater.
Impressum
Lyhre is a Berlin-based multi-instrumentalist singer-songwriter, producer and composer
debuted in Netflix’s Series Élite and with Cannes Soundtrack recognition for her following work. Classically trained, her transdisciplinary work spans multimedia, theater and research, composing at Volksbühne Berlin, Staatsschauspiel Dresden and re:publica among others. She opens for international acts like Isabel LaRosa, ÄTNA and gets regularly praised by critics for her live performance and musical direction for theaters- incl. nachtkritik, Frankfurter Rundschau, Theater der Zeit, Die Deutsche Bühne and international Tastemakers like Metal Magazine.
Recently Lyhre joined a.o. the Ircam Academy Paris as young composer, opened the Listen to Berlin Awards and played Reeperbahn Festival, where she was noted as “real discovery” by Hamburger Abendblatt.
Lyhre worked as musical director, researcher and composer for theaters like Deutsches Theater Berlin, Volksbühne Berlin, Staatsschauspiel Dresden, Oldenburgisches Staatstheater, Stadttheater Gießen, regularly with Thomas Krupa, Pat To Yan, Katja Gaudard, Tom Kühnel and collaborations with Hochschule für Musik Theater und Medien Hannover, Mozarteum Salzburg, Zürcher Hochschule der Künste and established Sync and Licensing Agents from LA, London and Barcelona.
At the intersection of posthumanism and posthuman feminist theory- shifting formal boundaries between theatre and concert, Lyhre is interested in deconstructing power structures, aesthetic and symbolic orders within patriarchal and capitalist norms, examining systems and mechanisms that (re)produce knowledge, perception and identity within established processes of differentiation and sociotechnical processes of transformation.
She received scholarships and funding for projects including rethinking humanity, supported by the Federal Government Commissioner for Culture and the Media.
Alongside Katja Gaudard Lyhre forms the transdisciplinary “crtcl collective”. They received 2022 a project-based scholarship for their work on Judith Butler’s “The Force of Nonviolence” premiered at Volksbühne Berlin and became part of re:publica, europe’s digital society festival and created the multimedia experience “burnbabyburn” premiered 2025 at Oldenburgisches Staatstheater.
From posthuman feminism to hard-hitting, genre-bending dark pop: Lyhre melds her husky voice, while pounding the keys of the piano, with alternative, electronic, and classical influences—lauded by Earmilk as “ pushing boundaries and evolving into a new era of Alternative. With her upcoming EP ‘The D(e)ad Concept’ – a radical deconstruction of the concept “patriarchy” – Lyhre is coming for you, with her critically acclaimed live performance. shattering the boundaries between concert and theater.
20
26
Tour
December 01 - December 10, 2026
>>>Lyhre announces upcoming EP “The D(e)ad Concept” and first headline Tour → Tickets
>>>Lyhre LIVE at Berghain Kantine
>>>Lyhre opens the Listen to Berlin Awards 2025
>>>Lyhre at FluxFM Radar – talking about composing and performing at major theaters, contributing to Netflix soundtracks, and exploring posthuman feminism
>>>Lyhre “Eine echte Entdeckung”- Reeperbahn Festival , Hamburger Abendblatt
>>> Lyhre LIVE at Reeperbahn Festival presented by BMC Berlin Music Commission
>>> Lyhre is selected by LISTEN TO BERLIN 2025/2026
>>> Lyhre joins the Ircam Academy in Paris 2025
>>> Lyhre joins officially ÄTNAs Lucky Dancer Tour 2025 as Support Act
>>> Lyhre composed, sound-designed and produced the sound for the multimedia experience burnbabyburn directed by Katja Gaudard premiered at Oldenburgisches Staatsschauspiel
>>>Lyhres gets lauded for her live performance and composition by Nachtkritik, Frankfurter Rundschau, Theater der Zeit and more
>>>Lyhre composed, sound-designed, produced and performs live the Soundtrack for The Oresteia directed by Thomas Krupa
>>>Lyhre openes live for Isabel LaRosa
>>>Lyhre is the musical director and live musican for Neometropolis at Stadttheater Giessen
>>>Lyhres latest music is selected by Cannes Soundtrack as “tracks with the best synchronization potential” 2023, 2024
>>>Lyhre opens the international student film festival Sehsüchte , Filmuniversität Babelsberg KONRAD WOLF
>>>Lyhres new works are supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.
>>>Lyhres music is part of the international Netflix Serie Élite.
>>>Lyhre charted #11 on the Itunes Electronic Charts Austria
>>>Lyhre composed and produced the soundtrack to Watership Down at Staatsschauspiel Dresden, directed by Tom Kühnel.
>>>The transdisciplinary project Schatten des Verhängnisses received a project-based scholarship and is part of republica, europe’s digital society festival.
Our nudity is the most fictional ever
`cause it always masks itself
I`m coming for you.
Lyhre is a Berlin-based multi-instrumentalist singer-songwriter, producer and composer
debuted in Netflix’s Series Élite and with Cannes Soundtrack recognition for her following work. Classically trained, her transdisciplinary work spans multimedia, theater and research, composing at Volksbühne Berlin, Staatsschauspiel Dresden and re:publica among others. She opens for international acts like Isabel LaRosa, ÄTNA and gets regularly praised by critics for her live performance and musical direction for theaters- incl. nachtkritik, Frankfurter Rundschau, Theater der Zeit, Die Deutsche Bühne and international Tastemakers like Metal Magazine.
Recently Lyhre joined a.o. the Ircam Academy Paris as young composer, opened the Listen to Berlin Awards and played Reeperbahn Festival, where she was noted as “real discovery” by Hamburger Abendblatt.
Lyhre worked as musical director, researcher and composer for theaters like Deutsches Theater Berlin, Volksbühne Berlin, Staatsschauspiel Dresden, Oldenburgisches Staatstheater, Stadttheater Gießen, regularly with Thomas Krupa, Pat To Yan, Katja Gaudard, Tom Kühnel and collaborations with Hochschule für Musik Theater und Medien Hannover, Mozarteum Salzburg, Zürcher Hochschule der Künste and established Sync and Licensing Agents from LA, London and Barcelona.
At the intersection of posthumanism and posthuman feminist theory- shifting formal boundaries between theatre and concert, Lyhre is interested in deconstructing power structures, aesthetic and symbolic orders within patriarchal and capitalist norms, examining systems and mechanisms that (re)produce knowledge, perception and identity within established processes of differentiation and sociotechnical processes of transformation.
She received scholarships and funding for projects including rethinking humanity, supported by the Federal Government Commissioner for Culture and the Media.
Alongside Katja Gaudard Lyhre forms the transdisciplinary “crtcl collective”. They received 2022 a project-based scholarship for their work on Judith Butler’s “The Force of Nonviolence” premiered at Volksbühne Berlin and became part of re:publica, europe’s digital society festival and created the multimedia experience “burnbabyburn” premiered 2025 at Oldenburgisches Staatstheater.
From posthuman feminism to hard-hitting, genre-bending dark pop: Lyhre melds her husky voice, while pounding the keys of the piano, with alternative, electronic, and classical influences—lauded by Earmilk as “ pushing boundaries and evolving into a new era of Alternative. With her upcoming EP ‘The D(e)ad Concept’ – a radical deconstruction of the concept “patriarchy” – Lyhre is coming for you, with her critically acclaimed live performance. shattering the boundaries between concert and theater.
Pushing Boundaries and evolving into a
new era of alternative bliss,..."
"There is no doubt that Lyhre, the solo project led by Berlin-based multi-instrumentalist, and singer-songwriter, goes beyond strictly musical aspects and encompasses countless artistic disciplines, ..."
Kein Wunder, dass sie ihre fast schon klassisch anmutenden Kompositionen auch für Theaterinszenierungen etwa der Volksbühne Berlin beisteuert. Die ganze Performance hat etwas Theatrales. Eine echte Entdeckung.
Die Musik begleitet das ganze Stück und wird live gespielt und gesungen von der
Komponistin, Pianistin und Sängerin Lyhre – klanglich elaborierte Musik aus dem aktuellenPop-Mikrokosmos mit plastischem Hinter- und Untergrund, melodischer Prägnanz und markanten
Klanggestalten.
Eine Inszenierung [...] die vor allem von der raumgestaltenden und enorm präsenten LiveMusik Lyhres strukturiert und zusammengehalten wird.
Cineastische und elegante Klangschaften kulminieren in dieser bleedigen Electro-PopGenre-Fusion... und doch klingt Lyhres Alt-Pop Style in seiner durchdringenden dynamischen Intensität stolz, erhaben und eigen.
Klar ist: von Lyhre wird man noch viel hören.
Trotz allem Bühnenflair ist das, was sie macht, Pop. Dunkler Pop, der sich mit Zukunft, Cyborgs und Posthumanismus beschäftigt Science-Fiction-Pop, wenn man so will. Klar ist: von Lyhre wird man noch viel hören.
Live
→
Lyhre
Live
With her upcoming EP ‘The D(e)ad Concept’ – a radical deconstruction of the concept “patriarchy”
– Lyhre is coming for you.
Highlights
Support Tour ÄTNA 2025
Support Tour ÄTNA 2025
Support Tour ÄTNA 2025
I WISH I DONT BELIEVE IN ANYTHING THE ONLY WAY TO BELIEVE IN EVERYTHING
transdisciplinary
Work excerpts
THEORY
Technology
Theater
At the intersection of posthumanism and posthuman feminist theories- shifting formal boundaries between theatre and concert.
Die Orestie
2024-2025
Lyhre composed, sound-designed, produced and performs live the Soundtrack for Die Orestie directed by Thomas Krupa, premiered at Stadttheater Gießen. Her research-driven approach for this work is rooted in the exploration of post-patriarchal receptions of antiquity. Theoretical framework: Feminist critique of classical psychoanalysis along “The Law of Father”, Western cultural theory and philosophy of technology.
burnbabyburn
- A multimedia experience
2024-2025
Lyhre composed, sound-designed, and produced the Soundtrack for the multimedia production burnbabyburn, directed Katja Gaudard, premiered at Oldenburgisches Staatstheater. The work examines Jeanne d’Arc as multimedia monological presentation, to explore the construction and deconstruction of heroic archetypes, resistance and dynamics of global power structures. Theoretical Framework: Poststructuralist theory of the subject, feminist critique of the female subject in Friedrich Schiller.
R3s3t0r3st
2025-2026
R3s3t0r3st is an algorithm-based installative experience that stages critical posthuman perspectives on AI ethics in the context of emerging autocracies, right-wing hegemonies of interpretation, and global infrastructures of technological and political power, traced along the “jurisdiction” of Orestes. The Composition of the Glitchchoral and Interface-Prototype (Lyhre and DHMC.STUDIO) was developed as part of Lyhres musical direction for Die Oresite. Theoretical framework: Posthumanism, philosophy of technology, correspondence of ancient mythology and technology.
The d(e)ad girl core.ex
2025
The d(e)ad girl core.ex Diaries, is a autofiction series as black-humored aphorisms meeting digital culture, Iphigenia and the subject as it is formed within mythological, patriarchal, and aesthetic orders. Deconstructing myth-making, she resists subjectivation within these orders to become undetermined, as Lyhre theorizes: Iphigeniacore.Theoretical framework: Poststructuralist theory of the subject, digital culture and ancient mythology.
Neometropolis and Biosemiotics
2023-2024
Based on findings and real-time recordings of plant-emitted sounds and decoding rhythm patterns, Lyhre developed an “interspecies sound design” that examines biosemiotics and nature–culture configurations. Using cross-synthesis (DDSP), granular synthesis, and vocoder techniques, hybrid sounds are generated that combine plant signals with AI-trained models of human voice, violin, and electronics. Rhythmic and other parameters are analyzed for further compositional use and within posthuman feminist theories, focusing on concepts of anthropocentrism, non-human agency and representations of the sovereign subject.
I wanna Eat Your Mother
2026
Bridging posthuman feminist theories, technology, and greek mythology along Metis, into a deconstructing genre-bending mythcore, shifting formal boundaries between concert, theater and digital experiences. (coming soon)
To gain access to more exclusive work samples
(full soundtracks etc.),
interested industry professionals and relevant parties can contact:
CRTCL AGENCY
[email protected]
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© 2026 Lyhre.
All rights reserved.
Design by
Design Hybrids Making Chaos
DHMC.STUDIO
Copyright Protection All works by the Artist are protected by copyright.
Any use, modification, reproduction, distribution, or transmission without the Artist’s explicit written consent is strictly prohibited and may result in legal action.
To gain access to more exclusive work samples
(full soundtracks etc.),
interested industry professionals and relevant parties can contact:
CRTCL AGENCY
[email protected]