debuted in Netflix’s Series Élite and with Cannes recognition for her work. She opens for Isabel LaRosa and gets praised by critics for her live performance and musical direction from Nachtkritik, Frankfurter Rundschau, Theater der Zeit and international Tastemakers like Earmilk and Metal Magazine  as “pushing boundaries and evolving into a new era of alternative”.

Based on Lyhres classical piano and vocal education, she experiments with sound synthesis and composition at the intersection of digital and analog, contrasting her voice with heavy alternative, electronic and classical influences to a hybrid dark pop, where the boundaries of genres and identity stay fluid. Lyhre manifests a new generation of posthuman feminism with a research-driven practice within a pop-cultural setting.

Her multidisciplinary work spans multimedia, theater, and research. She composed for the major theaters in Germany like Deutsches Theater Berlin, Volksbühne Berlin, Staatsschauspiel Dresden and was an artist at Modularfield Records. 2022 she started working with established Sync and Licensing Agents from LA, London and Barcelona.

Alongside Katja Gaudard she forms the transdisciplinary “crtcl collective” They received a project-based scholarship for their work on Judith Butler’s “The Force of Nonviolence” premiered at Volksbühne Berlin and became part of re:publica, europe’s digital society festival and created the multimedia experience “burnbabyburn” premiered 2024 at Oldenburgisches Staatsschauspiel. 

Lyhres work “rethinking humanity” got founded by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.